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The 63 days in question is the time it took for the Warsaw Uprising to start and stop. The year it started was 1944
‘I recall walking the streets of Pruszków after the Warsaw Uprising. I had no home or place to sleep, but the day was so beautiful, so nice!’
The irony is caused also by the contrast with another poem on which ‘Non omnis moriar’ is modeled. That model poem was very well known to Ginczanka’s generation: it was ‘My Testament’ by one of the Romantic Polish bards, Juliusz Słowacki.
Friedmann/Capa united in part by their hatred of fascism both went to Spain at the start of the Civil War in 1936, where they were slowly but steadily sucked into the whirlwind of war and war photography
Jan Kott wrote that in Shakespeare’s ‘Macbeth’, history is shown as a nightmare, something that shocks and terrifies; that it is opaque like a nightmare. ‘And, like in a nightmare, everyone gets bogged down in it.’ In Warlikowski’s ‘Macbeth’, this nightmare seems to have no end. Nor a beginning