What Next? BY John Biweekly I’d expect even more creativity, as lack of funds works to its benefit. How about time? Isn’t that a great side effect to unemployment?
Go Ahead, Save it for Later BY John Biweekly Winter is coming. Curl up on the couch with some hot tea and issue #31 of Biweekly
Let’s Move it Around BY John Biweekly Next November, how about we celebrate, rather than demonstrate?
UNSOUND Sounds Good BY John Biweekly St Catherine’s church was full. The audience sat with their backs facing the altar. Blasphemy?
Short Stop in Lithuania BY John Biweekly Will Poland take example of its neighbour and one day reach this beautiful state of no-billboards-on-top-of-other-billboards?
Exchange BY John Biweekly Public money as a tool to empower creative skills of the populace without showing the way the skills should be employed? Is it ‘against’ art?
It’s All About the Congress BY John Biweekly This week we are focused mainly on the European Culture Congress. Exceptional event, the climax of the Cultural National Programme of the Polish Presidency in the European Union Council
Almost Gone BY John Biweekly Maybe the summer is almost gone, but the true cultural blossom is still to come. Captain Europe, the superhero, is here to give you the foretaste
Summer Break BY John Biweekly With this issue of Biweekly we’re taking a summer break, and will meet again on 19 August
And Then There Were None BY John Biweekly Biweekly invites you to Teatr Dramatyczny to see Agatha Christie’s ‘And Then There Were None’ directed by Aleksandra Konieczna
BEFORE THE EUROPEAN CULTURE CONGRESS: The Wall BY John Biweekly You can recycle the internet too. Just give it a thought
Big Inauguration BY John Biweekly The Cultural Programme of Polish Presidency in the EU Inauguration is planned as an all‑day musical performance on 1 July, 2011
New Tradition BY John Biweekly Bieńkowski managed to revive traditions slowly taken over by modern living. I listened to wedding compositions, while mourning over something inevitably passing away
To All The Translators BY John Biweekly ‘The kitchen window was open onto the black night, saturated with dreams and complications.’
One Year Old BY John Biweekly What better way to inaugurate the second year of Biweekly than with the Film Spring Open, especially with classes led by such professionals as Andrzej Waluk and film screenings featuring the likes of Bogdan Dziworski
Culture in the Oil World BY John Biweekly Why is Werner Herzog’s ‘Lessons of Darkness’ so moving and what does Libya have to do with me?
The Other Way Around BY John Biweekly The cover of Biweekly#14? Should one take it easy? Will the sun, inevitably coming our way, blind our sight to essentials?
