dwutygodnik - strona kultury

05 2010

Archive

May 2010

01 2010

02 2010

June 2010

03 2010

04 2010

July 2010

05 2010

06 2010

August 2010

07 2010

November 2010

08 2010

09 2010

December 2010

10 2010

January 2011

11 2011

February 2011

12 2011

13 2011

March 2011

14 2011

15 2011

April 2011

16 2011

17 2011

18 2011

May 2011

19 2011

20 2011

June 2011

21 2011

22 2011

July 2011

23 2011

August 2011

24 2011

September 2011

25 2011

26 2011

27 2011

October 2011

28 2011

29 2011

November 2011

30 2011

31 2011

December 2011

32 2011

January 2012

33 2012

March 2012

34 2012

Money can't buy me love,
but love won't pay the bills,
or the other way around

Intro BY John Biweekly

My favorite word? Budget. The source of control, planning and context. Am I the top shelf, or am I the cheap stuff. On the other hand, isn’t that context where the limitations emerge from?

Three months in Nepal back in 2009 was a revolution in the local scale of my world. I found myself in another universe perceived by Westerners as a third class country. A place hardly ever powered with electricity, water, devoid of constant presence in the internet.

Kathmandu, the capital, didn't really provide with much infrastructure to “do culture” if we defined it in a modern Western fashion. The adaptation came surprisingly quickly though. It started off with organising a silly Speed Dating Night in Thamel's Tom&Jerry's bar. As Elle, one of the orginisers, put it: “it took only three of us and a bottle of vodka.” The bottle was the courage factor of course. We didn't really strive to arrange future marriages, but give the travellers a chance to meet up and then maybe go for a trek to Himalayas together. We didn't have neither much money, nor tools to promote the event, so we had to flex and use what we could.

Promotion tools, photo A. SlodownikThe horizon opened and I noticed thin, but decent paper, cheap crayons, pencils, school water colours, scissors and recalled face-to-face contacts as a way to spread news. Using hands to make leaflets and posters was a real self-treat. Each and every piece differed from others. No pattern repeated. We switched the text intro just as well. The evening was a success. Tom and Jerry, the owners, wanted to make it a regular night, but we moved on to something more sophisticted: Quiz Nights at Sal's to promote a pizzeria run by street kids in a different, non-tourist district of Kathmandu. Speed Dating Night in Kathmandu, photo A. SlodownikFor prizes I made things with my hands from whatever I had or bought children toys, which adult contestants enjoyed very much. We used the same cheap ways to promote the Sunday night games, and by the time I was leaving Nepal, the games didn't really need much promotion anymore. Quiz Nights didn't need electricity either. Candlelight and good company was just enough.

My friend called me the other day to complain that he has to change all the tyres in the used car he just bought. The charges will do some damage in his already weak budget. He sights, I sympathise. And I think how lucky it is not to own too much sometimes. The financial obstacles can trigger so much creativity!

Biweekly#5. Editor: Agnieszka Słodownik. Cover by The Pigs. Issued 3 July 2010 at 15:15.

If you wish to publish a part of an article from Biweekly.pl on your website or blog please e-mail us: feedback@biweekly.pl.

Side effects

The Need for Nemawashi

Interview with Julia Rowntree

Theatre

THEATRE MATTER:
Małgorzata Sikorska-Miszczuk

Małgorzata Sikorska-Miszczuk

Film

Public sunlight
and private shade

ADRIANA PRODEUS TALKS TO BROTHERS QUAY

Side effects

The Need for Nemawashi

Interview with Julia Rowntree

Art

WHO'S WHO AND WHY:
The Museum of Modern Art in Warsaw

John Biweekly

Intro

Money can't buy me love,
but love won't pay the bills,
or the other way around

John Biweekly

Fiction

Independence Avenue

Krzysztof Varga

Literature

Wisława Szymborska (1923-2012)

John Biweekly

Intro

What Next?

John Biweekly

Side effects

Sign the Petition!

John Biweekly

Intro

Go Ahead, Save it for Later

John Biweekly

Intro

Let’s Move it Around

John Biweekly

Art

CULTURE 2.0 – Level 2.0

John Biweekly

Side effects

CULTURE 2.0 – Media-Aware

John Biweekly

Intro

UNSOUND Sounds Good

John Biweekly

Music

International Henryk Wieniawski Violin Competition

John Biweekly

Intro

Short Stop in Lithuania

John Biweekly

Side effects

EUROPEAN CULTURE CONGRESS:
Alien Europe

John Biweekly

Side effects

EUROPEAN CULTURE CONGRESS:
Wikianarchy

John Biweekly

Intro

Exchange

John Biweekly

Intro

It’s All About the Congress

John Biweekly

Side effects

EUROPEAN CULTURE CONGRESS Live

John Biweekly

Intro

Almost Gone

John Biweekly

Intro

Summer Break

John Biweekly

Music

Big Inauguration – Children’s Stage

John Biweekly

Music

Big Inauguration – World Music Stage

John Biweekly

Music

Big Inauguration – Experimental Stage

John Biweekly

Music

Premiere Performance of Symphony No 3 Online!

John Biweekly

Music

Big Inauguration – Main Stage

John Biweekly

Literature

Opening of the Czesław Miłosz International Dialogue Centre – Online Broadcast on 30 June

John Biweekly

Intro

And Then There Were None

John Biweekly

Intro

BEFORE THE EUROPEAN CULTURE CONGRESS: The Wall

John Biweekly

Intro

Big Inauguration

John Biweekly

Music

Big Inauguration

John Biweekly

Intro

New Tradition

John Biweekly

Film

BEFORE THE EUROPEAN CULTURE CONGRESS:
Love Europe World of Zygmunt Bauman

John Biweekly

Film

BEFORE THE EUROPEAN CULTURE CONGRESS:
Love Europe World of Zygmunt Bauman

John Biweekly

Literature

BEFORE THE EUROPEAN CULTURE CONGRESS:
Culture in a Liquid Modern World

John Biweekly

Intro

Nature!

John Biweekly

Intro

To All The Translators

John Biweekly

Intro

One Year Old

John Biweekly

Intro

Culture in the Oil World

John Biweekly

Intro

The Other Way Around

John Biweekly

Intro

13 Ready to Go

John Biweekly

Intro

Distant Close-up

John Biweekly

Intro

Culture Counts

John Biweekly

Theatre

WHO'S WHO AND WHY:
Małgorzata Sikorska-Miszczuk

John Biweekly

Intro

CULTURE 2. 0 – Culture Resources

John Biweekly

Side effects

Slam Sensing Nation Sensation

John Biweekly

Side effects

CULTURE 2.0 – Slam Sensing Nation Sensation

John Biweekly

Art

WHO'S WHO AND WHY:
Twożywo

John Biweekly

Intro

Access Denied

John Biweekly

Intro

Summer Agenda

John Biweekly

Music

WHO'S WHO AND WHY:
Raphael Rogiński

John Biweekly

Film

10. ERA NEW HORIZONS:
Wojciech Jerzy Has

John Biweekly

Art

WHO'S WHO AND WHY:
The Museum of Modern Art in Warsaw

John Biweekly

Intro

Recipients of Data

John Biweekly

Art

WHO'S WHO AND WHY:
Mikołaj Długosz

John Biweekly

Art

WHO'S WHO AND WHY:
Kobas Laksa

John Biweekly

Intro

It’s all so relative

John Biweekly

Film

WHO'S WHO AND WHY:
Bartek Kulas

John Biweekly

Intro

The Centre of The World

John Biweekly

Art

WHO'S WHO AND WHY:
Maurycy Gomulicki

John Biweekly

Intro

Biweekly.pl – link with culture

John Biweekly