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CULTURE 2. 0 – Culture Resources

Intro BY John Biweekly

This year’s conference consists of discussions, lectures, interactive exhibition, and a surprising poetry event. If you didn’t get the chance to pin down the concept of ‘culture 2.0’ just yet, now is the perfect chance to get to know theory as well as practice

The dominant theme of issue #08 is culture 2.0. Why did we choose this topic?

CULTURE 2.0 2010
Warsaw, 18-20 November 2010

The Polish National Audiovisual Institute (NInA), Biweekly's publisher, is holding the CULTURE 2.0 – CULTURE RESOURCES conference in Warsaw on 18-20 November 2010. This year’s edition of Culture 2.0 includes discussions, presentations, lectures by European experts on the paths of development of contemporary culture, on how cultural institutions are facing technological changes, followed by a meeting with Professor Zygmunt Bauman.

We will also present a performance poetry project called Slam Sensing Nation Sensation and an interactive art space, Enter level 2.0. The conference takes place in the post-industrial space of the new headquarters of the National Audiovisual Institute (NInA) at 3/5 Wałbrzyska street in Warsaw and will be broadcast online on Biweekly.

Full programme...

Culture 2.0

The term refers to the transformation of web sites that began a few years ago. Culture 2.0 involves a new circuit of culture, shaped by experience in the use of digital media and by the opportunities they offer. The new version of culture brings new practices, new tools, and a blurring of former divisions.

Culture 2.0 means the search for new versions of already known content, forms of media, methods of distribution and participation, or canons of culture. However, its “newness” is not dependent on a break with the past, as is sometimes suggested by media specialists. The old media are not disappearing, but are becoming the content of the new ones. Culture 2.0 is therefore both evolutionary and revolutionary in nature.

Culture 2.0 today constitutes a challenge for cultural institutions – in fact it creates an alternative circuit of culture in which these institutions are often absent. The theme of this year's conference is the transformation of cultural institutions and key regulatory mechanisms, as seen from the perspective of Culture 2.0.

Key ideas

Digitisation: the transition from analogue culture to digital culture is not just a technical process. Mass digitisation of culture requires new legal solutions, and an understanding of the “born digital” culture – but it is also a chance to revive cultural heritage.

Openness
: One of the key features of Culture 2.0, made possible by digital technology, is its increased openness, meaning a greater availability of content, but also a greater opportunity for participation. Openness is an opportunity, but also a challenge for cultural institutions because it requires a change in the current models of operation.

Future
: The conference is oriented towards the future, pointing out the latest cultural trends and forecasting the shifts in culture in the long run. Our goal is to discuss the transformation of cultural institutions which enable them to cope with challenges not just today, but also in future.

Additional events

Enter level 2.0 is an interactive art space. While the conference takes place on the ground floor of the National Audiovisual Institute's building in Warsaw, the 2nd floor reflects the practical representation of the concept. As artists, programmers, fans of new media and multimedia companies enter this post-industrial space, it becomes a platform joining art with technology.

Read more about Enter level 2.0...

Slam Sensing Nation Sensation is a concert or happening based on the premise of the “Chinese whispers” game. Marcin Cecko's poem went through an evolution of translations, from one language to another in a pre-established order: Polish – English – Dutch – Spanish – Hebrew – French – Japanese – Polish. During the concert, each version will be an independent piece. Marcin Cecko will also come on stage. Biweekly is the event's patron, as we were the reason for the first translation, which was published in English in issue#01.

Read more about Slam Sensing Nation Sensation...

See you there!

Biweekly#8. Editor: Agnieszka Słodownik. Cover by Rene Wawrzkiewicz. Issued 13 November 2010 at 00:11.

If you wish to publish a part of an article from Biweekly.pl on your website or blog please e-mail us: feedback@biweekly.pl.

Side effects

Culture in Times of the Cornucopia. A New Agenda
for the Cultural Institutions

Alek Tarkowski

Side effects

CULTURE 2. 0 – Do it with others!

Aleksandra Hirszfeld

Side effects

CULTURE 2. 0 – Enter Level 2.0

Agnieszka Słodownik

Side effects

Youth, Media, and Culture

Mirosław Filiciak

Theatre

WHO'S WHO AND WHY:
Małgorzata Sikorska-Miszczuk

John Biweekly

Side effects

CULTURE 2.0 – Slam Sensing Nation Sensation

John Biweekly

Intro

CULTURE 2. 0 – Culture Resources

John Biweekly

Side effects

NOTES FROM UNDER THE TABLE:The Snoring of the Machines

James Hopkin

Literature

Wisława Szymborska (1923-2012)

John Biweekly

Intro

What Next?

John Biweekly

Side effects

Sign the Petition!

John Biweekly

Intro

Go Ahead, Save it for Later

John Biweekly

Intro

Let’s Move it Around

John Biweekly

Art

CULTURE 2.0 – Level 2.0

John Biweekly

Side effects

CULTURE 2.0 – Media-Aware

John Biweekly

Intro

UNSOUND Sounds Good

John Biweekly

Music

International Henryk Wieniawski Violin Competition

John Biweekly

Intro

Short Stop in Lithuania

John Biweekly

Side effects

EUROPEAN CULTURE CONGRESS:
Alien Europe

John Biweekly

Side effects

EUROPEAN CULTURE CONGRESS:
Wikianarchy

John Biweekly

Intro

Exchange

John Biweekly

Intro

It’s All About the Congress

John Biweekly

Side effects

EUROPEAN CULTURE CONGRESS Live

John Biweekly

Intro

Almost Gone

John Biweekly

Intro

Summer Break

John Biweekly

Music

Big Inauguration – Children’s Stage

John Biweekly

Music

Big Inauguration – World Music Stage

John Biweekly

Music

Big Inauguration – Experimental Stage

John Biweekly

Music

Premiere Performance of Symphony No 3 Online!

John Biweekly

Music

Big Inauguration – Main Stage

John Biweekly

Literature

Opening of the Czesław Miłosz International Dialogue Centre – Online Broadcast on 30 June

John Biweekly

Intro

And Then There Were None

John Biweekly

Intro

BEFORE THE EUROPEAN CULTURE CONGRESS: The Wall

John Biweekly

Intro

Big Inauguration

John Biweekly

Music

Big Inauguration

John Biweekly

Intro

New Tradition

John Biweekly

Film

BEFORE THE EUROPEAN CULTURE CONGRESS:
Love Europe World of Zygmunt Bauman

John Biweekly

Film

BEFORE THE EUROPEAN CULTURE CONGRESS:
Love Europe World of Zygmunt Bauman

John Biweekly

Literature

BEFORE THE EUROPEAN CULTURE CONGRESS:
Culture in a Liquid Modern World

John Biweekly

Intro

Nature!

John Biweekly

Intro

To All The Translators

John Biweekly

Intro

One Year Old

John Biweekly

Intro

Culture in the Oil World

John Biweekly

Intro

The Other Way Around

John Biweekly

Intro

13 Ready to Go

John Biweekly

Intro

Distant Close-up

John Biweekly

Intro

Culture Counts

John Biweekly

Theatre

WHO'S WHO AND WHY:
Małgorzata Sikorska-Miszczuk

John Biweekly

Side effects

Slam Sensing Nation Sensation

John Biweekly

Side effects

CULTURE 2.0 – Slam Sensing Nation Sensation

John Biweekly

Art

WHO'S WHO AND WHY:
Twożywo

John Biweekly

Intro

Access Denied

John Biweekly

Intro

Summer Agenda

John Biweekly

Music

WHO'S WHO AND WHY:
Raphael Rogiński

John Biweekly

Film

10. ERA NEW HORIZONS:
Wojciech Jerzy Has

John Biweekly

Intro

Money can't buy me love,
but love won't pay the bills,
or the other way around

John Biweekly

Art

WHO'S WHO AND WHY:
The Museum of Modern Art in Warsaw

John Biweekly

Intro

Recipients of Data

John Biweekly

Art

WHO'S WHO AND WHY:
Mikołaj Długosz

John Biweekly

Art

WHO'S WHO AND WHY:
Kobas Laksa

John Biweekly

Intro

It’s all so relative

John Biweekly

Film

WHO'S WHO AND WHY:
Bartek Kulas

John Biweekly

Intro

The Centre of The World

John Biweekly

Art

WHO'S WHO AND WHY:
Maurycy Gomulicki

John Biweekly

Intro

Biweekly.pl – link with culture

John Biweekly