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BEFORE THE EUROPEAN CULTURE CONGRESS:
Love Europe World of Zygmunt Bauman

Film BY John Biweekly

The film ‘Love Europe World of Zygmunt Bauman’ was released 12 May on DVD. It was available on Biweekly.pl in its entirety for four days (12–15 May 2011)

The film Love Europe World of Zygmunt Bauman, by Krzysztof Rzączyński, was released 12 May on DVD, coinciding with the publication of Zygmunt Bauman’s Culture in a Liquid Modern World. The movie was commissioned by the National Audiovisual Institute as a part of the Cultural Program of the Polish EU Presidency in 2011, and is available in its entirety for three days (12–15 May) on NInA websites: culturecongress.eu, nina.gov.pl, dwutygodnik.com, and biweekly.pl.

The documentary, which runs just under one hour, consists of four parts: “Culture”, “Europe”, “The World”, and “Himself”. Zygmunt Bauman’s reflections on the culture and times in which we live (“Ours is not a culture of learning, but of forgetting,” “The ultimate result of the blossoming of culture, which we have undoubtedly witnessed in the passing years, is a feeling of having gone astray”) and Europe’s role in building a global order (“Europe is good at developing the skills needed to live with communities that are different from our own,” “No claim about the superiority of one culture over another can be sustained today”) are interspersed with more personal themes.

The creators of the film have succeeded in painting a portrait of one of the world’s most important sociologists, augmenting it with his family story, thanks to interviews with his daughters and private conversations with other important characters. Zygmunt Bauman’s famous unwillingness to discuss his personal life makes this insight all the more precious (when prompted with such questions, the professor describes them as “the most boring of all the subjects he could talk about.”)

The footage was shot in Leeds, where Zygmunt Bauman and his two younger daughters Lidia and Irena live, in Warsaw, where in November the professor was awarded the Medal for Merit to Culture – Gloria Artis by the Minister of Culture and National Heritage, and in Tel Aviv, where his oldest daughter Anna Sfard resides.

The creators of the film, director Krzysztof Rzączyński and cameraman Michał Popiel-Machnicki, received several awards for their previous documentary, My Father, The Iron Curtain, and Me (the story of Andrzej Panufnik and his son), including the Grand Prix at the National Independent Documentary Review, a distinction at last year’s Planet Doc Review, a nomination to the Golden Nymph at the Monte Carlo Television Festival, and a nomination in the category of “Best Current Affairs Production” at New York’s History Makers Awards.

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Literature

BEFORE THE EUROPEAN CULTURE CONGRESS:
A Casual Passer-By

Maciej Wiśniewski

Side effects

Europe in Decline

Andrzej Leder

Art

BEFORE THE EUROPEAN CULTURE CONGRESS:
The Artist is Always Alone

JACEK TOMCZUK TALKS TO GRZEGORZ KOWALSKI

Literature

BEFORE THE EUROPEAN CULTURE CONGRESS:
Culture in a Liquid Modern World

John Biweekly

Film

BEFORE THE EUROPEAN CULTURE CONGRESS:
Love Europe World of Zygmunt Bauman

John Biweekly

Literature

People Dealt this Fate to People

KATARZYNA ZIMMERER talks to IRENA GRUDZIŃSKA-GROSS and JAN TOMASZ GROSS

Film

WHO'S WHO AND WHY:
Marcin Koszałka

Agnieszka Le Nart

Art

BEFORE THE EUROPEAN CULTURE CONGRESS:
Man is a Beautiful Animal

DOROTA SEMENOWICZ AND KATARZYNA TÓRZ TALK TO JAN FABRE

Art

BEFORE THE EUROPEAN CULTURE CONGRESS:
The Artist is Always Alone

JACEK TOMCZUK TALKS TO GRZEGORZ KOWALSKI

Literature

BEFORE THE EUROPEAN CULTURE CONGRESS:
Culture in a Liquid Modern World

John Biweekly

Film

Say No To Transplants

PIOTR MIRSKI talks to MARCIN WRONA

Intro

Nature!

John Biweekly

Literature

Wisława Szymborska (1923-2012)

John Biweekly

Intro

What Next?

John Biweekly

Side effects

Sign the Petition!

John Biweekly

Intro

Go Ahead, Save it for Later

John Biweekly

Intro

Let’s Move it Around

John Biweekly

Art

CULTURE 2.0 – Level 2.0

John Biweekly

Side effects

CULTURE 2.0 – Media-Aware

John Biweekly

Intro

UNSOUND Sounds Good

John Biweekly

Music

International Henryk Wieniawski Violin Competition

John Biweekly

Intro

Short Stop in Lithuania

John Biweekly

Side effects

EUROPEAN CULTURE CONGRESS:
Alien Europe

John Biweekly

Side effects

EUROPEAN CULTURE CONGRESS:
Wikianarchy

John Biweekly

Intro

Exchange

John Biweekly

Intro

It’s All About the Congress

John Biweekly

Side effects

EUROPEAN CULTURE CONGRESS Live

John Biweekly

Intro

Almost Gone

John Biweekly

Intro

Summer Break

John Biweekly

Music

Big Inauguration – Children’s Stage

John Biweekly

Music

Big Inauguration – World Music Stage

John Biweekly

Music

Big Inauguration – Experimental Stage

John Biweekly

Music

Premiere Performance of Symphony No 3 Online!

John Biweekly

Music

Big Inauguration – Main Stage

John Biweekly

Literature

Opening of the Czesław Miłosz International Dialogue Centre – Online Broadcast on 30 June

John Biweekly

Intro

And Then There Were None

John Biweekly

Intro

BEFORE THE EUROPEAN CULTURE CONGRESS: The Wall

John Biweekly

Intro

Big Inauguration

John Biweekly

Music

Big Inauguration

John Biweekly

Intro

New Tradition

John Biweekly

Film

BEFORE THE EUROPEAN CULTURE CONGRESS:
Love Europe World of Zygmunt Bauman

John Biweekly

Literature

BEFORE THE EUROPEAN CULTURE CONGRESS:
Culture in a Liquid Modern World

John Biweekly

Intro

Nature!

John Biweekly

Intro

To All The Translators

John Biweekly

Intro

One Year Old

John Biweekly

Intro

Culture in the Oil World

John Biweekly

Intro

The Other Way Around

John Biweekly

Intro

13 Ready to Go

John Biweekly

Intro

Distant Close-up

John Biweekly

Intro

Culture Counts

John Biweekly

Theatre

WHO'S WHO AND WHY:
Małgorzata Sikorska-Miszczuk

John Biweekly

Intro

CULTURE 2. 0 – Culture Resources

John Biweekly

Side effects

Slam Sensing Nation Sensation

John Biweekly

Side effects

CULTURE 2.0 – Slam Sensing Nation Sensation

John Biweekly

Art

WHO'S WHO AND WHY:
Twożywo

John Biweekly

Intro

Access Denied

John Biweekly

Intro

Summer Agenda

John Biweekly

Music

WHO'S WHO AND WHY:
Raphael Rogiński

John Biweekly

Film

10. ERA NEW HORIZONS:
Wojciech Jerzy Has

John Biweekly

Intro

Money can't buy me love,
but love won't pay the bills,
or the other way around

John Biweekly

Art

WHO'S WHO AND WHY:
The Museum of Modern Art in Warsaw

John Biweekly

Intro

Recipients of Data

John Biweekly

Art

WHO'S WHO AND WHY:
Mikołaj Długosz

John Biweekly

Art

WHO'S WHO AND WHY:
Kobas Laksa

John Biweekly

Intro

It’s all so relative

John Biweekly

Film

WHO'S WHO AND WHY:
Bartek Kulas

John Biweekly

Intro

The Centre of The World

John Biweekly

Art

WHO'S WHO AND WHY:
Maurycy Gomulicki

John Biweekly

Intro

Biweekly.pl – link with culture

John Biweekly