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Go Ahead, Save it for Later

Intro BY John Biweekly

Winter is coming. Curl up on the couch with some hot tea and issue #31 of Biweekly

While reading in the summer months appears to be a pastime popular enough to warrant the term “summer reading”, I’ve always found myself so distracted by my preferred vacation activities — perhaps with the exception of occasional bus rides through very familiar landscapes — that my annual reading calendar tends to slump heavily towards the remaining three seasons. This presents a certain dilemma to those who, like me, spend a significant portion of their working year chained to their keyboards.

With a never-ending “to do” list encroaching upon my precious reading time, I’ve found myself resorting to ever-shorter written forms, often enjoying them hastily while eating at my desk or sitting in public transportation. But I admit the mounting stacks of books and lengthy, unread pieces from the New York Times Sunday Magazine still evoke a feeling of guilt.

Biweekly #31 cover by Malwina Konopacka Whenever I share this observation with fellow readers, I invariably hear that the mythical “shortened attention span” is to blame. Instinctively sensing that there might be more to it than that — and secretly hoping that modern technology has not doomed us to such a terrible fate — I’ve refused to accept this explanation. Perhaps it’s just a mismatch between two unavoidable situations: finding something interesting to read but not having the time to sit down and finish it, and unexpectedly finding time to read while away from one’s bookcase and computer (or not having quite enough time to dive into a new book). While I was initially sceptical of e-book readers and sites such as Instapaper, I’ve found that technological conveniences can, in fact, bridge the gap between these two moments. Long reads that would once go unread indefinitely now get stored away during busy work hours, to be accessed from a phone or reader whenever I can carve out a moment of time. I’ve found myself drifting back to those satisfying long forms that I enjoyed back before curling up with a book for six hours at a time ceased to be an option.

This week we have several lengthy pieces, including a talk with the creators of a new opera about Marie Curie, an interview with CSW Zamek director Fabio Cavallucci, and a few words from American jazz pianist Craig Taborn about his new album Avenging Angel. You might want to start with the shorter articles: Mirek Filiciak and Alek Tarkowski wrap up their series on the intersection between culture and technology with the letters Y and Z, Joanna Tokarska-Bakir tells us what she writes about when she’s not writing about the events of 11/11, and Irena Grudzińska-Gross drops in on Zucotti Park on Thanksgiving.

There’s no rush. Biweekly #31 will be up for a full two weeks, as usual. And for those of you who carry their e-book readers on the metro, we have the whole issue in epub format.

Biweekly#31. Editor: Arthur Barys. Cover by Malwina Konopacka. Published 28 November, 2011 at 20:30.

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Art

The Castle is not Mine

KAROL SIENKIEWICZ talks to FABIO CAVALLUCCI

Art

WHO’S WHO AND WHY:
Goshka Macuga

Agnieszka Le Nart

Intro

Go Ahead, Save it for Later

John Biweekly

Music

The Turbulent Life
of Madame Curie

KLAUDIA BARANOWSKA talks to ELŻBIETA SIKORA and MAREK WEISS

Side effects

Sign the Petition!

John Biweekly

Music

I’m not into Classification

MONIKA ROKICKA talks to CRAIG TABORN

Literature

Wisława Szymborska (1923-2012)

John Biweekly

Intro

What Next?

John Biweekly

Side effects

Sign the Petition!

John Biweekly

Intro

Let’s Move it Around

John Biweekly

Art

CULTURE 2.0 – Level 2.0

John Biweekly

Side effects

CULTURE 2.0 – Media-Aware

John Biweekly

Intro

UNSOUND Sounds Good

John Biweekly

Music

International Henryk Wieniawski Violin Competition

John Biweekly

Intro

Short Stop in Lithuania

John Biweekly

Side effects

EUROPEAN CULTURE CONGRESS:
Alien Europe

John Biweekly

Side effects

EUROPEAN CULTURE CONGRESS:
Wikianarchy

John Biweekly

Intro

Exchange

John Biweekly

Intro

It’s All About the Congress

John Biweekly

Side effects

EUROPEAN CULTURE CONGRESS Live

John Biweekly

Intro

Almost Gone

John Biweekly

Intro

Summer Break

John Biweekly

Music

Big Inauguration – Children’s Stage

John Biweekly

Music

Big Inauguration – World Music Stage

John Biweekly

Music

Big Inauguration – Experimental Stage

John Biweekly

Music

Premiere Performance of Symphony No 3 Online!

John Biweekly

Music

Big Inauguration – Main Stage

John Biweekly

Literature

Opening of the Czesław Miłosz International Dialogue Centre – Online Broadcast on 30 June

John Biweekly

Intro

And Then There Were None

John Biweekly

Intro

BEFORE THE EUROPEAN CULTURE CONGRESS: The Wall

John Biweekly

Intro

Big Inauguration

John Biweekly

Music

Big Inauguration

John Biweekly

Intro

New Tradition

John Biweekly

Film

BEFORE THE EUROPEAN CULTURE CONGRESS:
Love Europe World of Zygmunt Bauman

John Biweekly

Film

BEFORE THE EUROPEAN CULTURE CONGRESS:
Love Europe World of Zygmunt Bauman

John Biweekly

Literature

BEFORE THE EUROPEAN CULTURE CONGRESS:
Culture in a Liquid Modern World

John Biweekly

Intro

Nature!

John Biweekly

Intro

To All The Translators

John Biweekly

Intro

One Year Old

John Biweekly

Intro

Culture in the Oil World

John Biweekly

Intro

The Other Way Around

John Biweekly

Intro

13 Ready to Go

John Biweekly

Intro

Distant Close-up

John Biweekly

Intro

Culture Counts

John Biweekly

Theatre

WHO'S WHO AND WHY:
Małgorzata Sikorska-Miszczuk

John Biweekly

Intro

CULTURE 2. 0 – Culture Resources

John Biweekly

Side effects

Slam Sensing Nation Sensation

John Biweekly

Side effects

CULTURE 2.0 – Slam Sensing Nation Sensation

John Biweekly

Art

WHO'S WHO AND WHY:
Twożywo

John Biweekly

Intro

Access Denied

John Biweekly

Intro

Summer Agenda

John Biweekly

Music

WHO'S WHO AND WHY:
Raphael Rogiński

John Biweekly

Film

10. ERA NEW HORIZONS:
Wojciech Jerzy Has

John Biweekly

Intro

Money can't buy me love,
but love won't pay the bills,
or the other way around

John Biweekly

Art

WHO'S WHO AND WHY:
The Museum of Modern Art in Warsaw

John Biweekly

Intro

Recipients of Data

John Biweekly

Art

WHO'S WHO AND WHY:
Mikołaj Długosz

John Biweekly

Art

WHO'S WHO AND WHY:
Kobas Laksa

John Biweekly

Intro

It’s all so relative

John Biweekly

Film

WHO'S WHO AND WHY:
Bartek Kulas

John Biweekly

Intro

The Centre of The World

John Biweekly

Art

WHO'S WHO AND WHY:
Maurycy Gomulicki

John Biweekly

Intro

Biweekly.pl – link with culture

John Biweekly