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Biweekly - issue 26 / 2011

Main article

PHOTOGRAPHY, STILLS & GNASH: The Good Bad Old Days

PHOTOGRAPHY, STILLS & GNASH: The Good Bad Old Days

BY Chris NiedenthalArt

All right then, so what are the advantages of shooting on film?

- 2017 November
  Wydanie 44
- 2015 March
  Wydanie 43
- 2013 December
  Wydanie 42
- 2013 June
  Wydanie 41
- 2012 November
  Wydanie 40
- 2012 September
  Wydanie 39
- 2012 August
  Wydanie 38
- 2012 July
  Wydanie 37
- 2012 June
  Wydanie 36
- 2012 May
  Wydanie 35
- 2012 March
  Wydanie 34
- 2012 January
  Wydanie 33
- 2011 December
  Wydanie 32
- 2011 November
  Wydanie 31 Wydanie 30
- 2011 October
  Wydanie 29 Wydanie 28
- 2011 September
  Wydanie 27 Wydanie 26 - otwarte Wydanie 25
- 2011 August
  Wydanie 24
- 2011 July
  Wydanie 23
- 2011 June
  Wydanie 22 Wydanie 21
- 2011 May
  Wydanie 20 Wydanie 19
- 2011 April
  Wydanie 18 Wydanie 17 Wydanie 16
- 2011 March
  Wydanie 15 Wydanie 14
- 2011 February
  Wydanie 13 Wydanie 12
- 2011 January
  Wydanie 11
- 2010 December
  Wydanie 10
- 2010 November
  Wydanie 09 Wydanie 08
- 2010 August
  Wydanie 07
- 2010 July
  Wydanie 06 Wydanie 05
- 2010 June
  Wydanie 04 Wydanie 03
- 2010 May
  Wydanie 02 Wydanie 01

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PHOTOGRAPHY, STILLS & GNASH: The Good Bad Old Days

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BY Chris Niedenthal Art

All right then, so what are the advantages of shooting on film?

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Roman Polański, dir. Laurent Bouzereau

Darek Arest
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Dorota Kowalkowska
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The Heritage, dir. Andrzej Barański

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Agata Diduszko-Zyglewska
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Penderecki / Greenwood

Ewa Szczecińska
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Agata Chałupnik
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Lutosławski’s Vocal Works by BBC

Tomasz Cyz
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Piotr Rypson, Polish Graphic Design, 1919–1949

Klara Czerniewska-Andryszczyk
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Mozil Sings Miłosz

Marta Nadzieja
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Edward Żebrowski: BodiesHeld Hostage by Ideas

Bartosz Żurawiecki
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Should Not Have Been Born, Grzegorz Kwiatkowski

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Iwona Kurz
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