The Reading Lab: Shorthand Literature One upon a time John Wray lead a Twitter workshop in Wrocław. It was a part of The Reading Lab at the European Culture Congress. See the video
Penderecki and Greenwood on Nonesuch BY Ewa Szczecińska Music The 40-year-old Radiohead guitarist Jonny Greenwood reveals a new face: that of an artist who can proudly stand in the ranks of such post-minimalist music composers as John Adams and David Lang
Culture in Action! BY Max Cegielski Film See the film reportage from 184 days of Cultural Programme of the Polish EU Presidency 2011
Lost in Culture Antónia Mészáros Media The following debate on interdisciplinarity of culture took place during the European Culture Congress in September 2011 in Wrocław
Wikianarchy Ruben Maes Media The following debate on freedom in culture took place during the European Culture Congress in September 2011 in Wrocław
Honing the Skill Talk with Marek Moś Talks If you’re passionate and serious about what you do, then you never reach the finish line. It gets bad when you’re wrapped up in a feeling of happiness for too long. That state should be a red light for you
EUROPEAN CULTURE CONGRESS:Ousourcing to Amateurs Talk with David Barrie Talks ‘What is missing is coalitions of activist organisations. The persons who want to protect heritage have to form a group, so they can fight. We’ve had experiences where those fights were translated into genuine action’
Wege zur Behandlung von Schmerzen, Mirosław Bałka BY Joanna Zielińska Art The roar of the water evokes a feeling of unease, reminding you of your childhood and your fears of stormy, muddy water, or of falling into a well and drowning
EUROPEAN CULTURE CONGRESS:Alien Europe John Biweekly Media Debate with the participation of Azra Akšamija, Gayatri Chakravorty Spivak, Paul Scheffer, Tigran Mansurian
EUROPEAN CULTURE CONGRESS: Wikianarchy John Biweekly Media Debate with the participation of Joost Smiers, Rickard ‘Rick’ Falkvinge, Raquel Xalabarder, Ryszard Markiewicz, Oliver Herrgesell
Exchange BY John Biweekly Intro Public money as a tool to empower creative skills of the populace without showing the way the skills should be employed? Is it ‘against’ art?
