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Photographing a Peacock

Jacopo Fiorancio

Before you get going to Fotofestiwal in Łódź (6 – 16 June 2013) or Kraków Photomonth Festival (16 May – 16 June 2013), listen to the way stories are told by photographers Rafał Milach and Tomasz Wiech

Lovely, Human, True, Heartfelt (excerpt)

Alina Szapocznikow

The previously unpublished correspondence between one of the great women artists of the twentieth century, Alina Szapocznikow, and an eminent critic and museum director, her fiancé, then husband and friend, Ryszard Stanisławski

Caucasian Bazaar

IWO ZMYŚLONY talks to SLAVS and TATARS

Our work is transnational. We act like mediators or even post-national-mediators. We don’t belong to a single nation – we are intellectually and affectionately as Russian, as we are Polish, Iranian or American

Industrial Ruins
and Other Objects

Karol Sienkiewicz

Wyspa Institute of Art in Gdańsk Shipyard keeps on redefining itself. This year’s Alternativa investigates two areas: materiality and its own archive. The outcome of the first one is much more convincing

Szapocznikow in America

ALAN LOCKWOOD TALKS TO CORNELIA BUTLER

You don’t often find a body of work that’s twenty years long that can sustain the range of really sophisticated interpretation that was brought to bear on it – says MoMa curator Cornelia Butler of their Szapocznikow retrospective open till 28 January 2013

Hey, You With the Camera!

We go through the archive of the Exchange Gallery, established by Robakowski in 1978. My attention is drawn to a picture from Robakowski’s ‘An Exercise for Two Hands’ – the artist triumphantly picks the cameras up, like a gunslinger after a well-placed shot

Shorthand

Szapocznikow in America

ALAN LOCKWOOD TALKS TO CORNELIA BUTLER

You don’t often find a body of work that’s twenty years long that can sustain the range of really sophisticated interpretation that was brought to bear on it – says MoMa curator Cornelia Butler of their Szapocznikow retrospective open till 28 January 2013

Popular
articles

1
Photographing a Peacock
Jacopo Fiorancio

1
Photographing a Peacock
Jacopo Fiorancio

1
Artur Żmijewski’s Reality Show
Nicola Trezzi
2
Caucasian Bazaar
IWO ZMYŚLONY talks to SLAVS and TATARS
3
I Don’t Do Street Art
Zofia Zalewska talks to Krystian Truth Czaplicki
4
CRAFTSMEN OF CULTURE:
No More Overproduction
Paulina Wrocławska talks to Jakub Antosz
5
Szapocznikow in America
ALAN LOCKWOOD TALKS TO CORNELIA BUTLER
6
Industrial Ruins
and Other Objects
Karol Sienkiewicz
7
Warsaw Modern
Czesław Olszewski
8
Design Centrum Kielce Opening
Klara Czerniewska
9
Hey, You With the Camera!
Iwo Zmyślony

Art All Literature Film Theatre Music Art

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Archive

Caucasian Bazaar

IWO ZMYŚLONY talks to SLAVS and TATARS

Our work is transnational. We act like mediators or even post-national-mediators. We don’t belong to a single nation – we are intellectually and affectionately as Russian, as we are Polish, Iranian or American

Photographing a Peacock

Jacopo Fiorancio

Before you get going to Fotofestiwal in Łódź (6 – 16 June 2013) or Kraków Photomonth Festival (16 May – 16 June 2013), listen to the way stories are told by photographers Rafał Milach and Tomasz Wiech

Lovely, Human, True, Heartfelt (excerpt)

Alina Szapocznikow

The previously unpublished correspondence between one of the great women artists of the twentieth century, Alina Szapocznikow, and an eminent critic and museum director, her fiancé, then husband and friend, Ryszard Stanisławski

Warsaw Modern

Czesław Olszewski

The photography album by Czesław Olszewski is a unique cultural testament to the decade just prior to the outbreak of World War II. See the selection of photos from ‘Warsaw Modern’

Hey, You With the Camera!

Iwo Zmyślony

We go through the archive of the Exchange Gallery, established by Robakowski in 1978. My attention is drawn to a picture from Robakowski’s ‘An Exercise for Two Hands’ – the artist triumphantly picks the cameras up, like a gunslinger after a well-placed shot

I Don’t Do Street Art

Zofia Zalewska talks to Krystian Truth Czaplicki

The authorities decided that styrofoam beams can’t just lie there without anyone around because they constitute a threat to public security – stories of art in public space by Krystian Truth Czaplicki

CRAFTSMEN OF CULTURE:
No More Overproduction

Paulina Wrocławska talks to Jakub Antosz

I wasn’t really planning on getting involved with artists. I was a craftsman, but I felt like a partner in crime. – interview with a technical specialist

Design Centrum Kielce Opening

Klara Czerniewska

We will have to wait some time for tangible effects of DCK’s efforts, but the place itself merits a visit even today. It’s just a comfortable two-hour drive along E77 – exhibitions open till 4 August 2012

Industrial Ruins
and Other Objects

Karol Sienkiewicz

Wyspa Institute of Art in Gdańsk Shipyard keeps on redefining itself. This year’s Alternativa investigates two areas: materiality and its own archive. The outcome of the first one is much more convincing

Artur Żmijewski’s Reality Show

Nicola Trezzi

Nothing seems real at the 7th Berlin Biennale; even the term ‘biennale’ is fake, as this is not a biennial or a group exhibition. This is massive artwork by Artur Żmijewski. If we don’t realise that, we just believe in the fiction and becomes victims of it

Althamer in Minsk

Jan Szlaga

The night of 17 and 18 May was quite different in a country where public gatherings are illegal. 150 people dressed in golden suits marched the main street of Minsk to greet the sun

Never Surrender. The 7th Berlin Biennale

Karol Sienkiewicz

This is a biennale at a human scale. Despite its revolutionary slogans and personal tragedies served up on a silver platter, the overall sense is that of security

National Museum Reopening

Krzysiek Krzysztofiak

The National Museum in Warsaw has been closed for more than a year. It reopens 17 May 2012. See the photos of the last arrangements

SASNAL: In Theatres Now

Karol Sienkiewicz

Sasnal, an artist thus far associated with the gallery, has crossed over to the other side. The side where films are measured not in minutes, but in feet of celluloid

Occupation: Photojournalist

IWO ZMYŚLONY TALKS TO BOGDAN ŁOPIEŃSKI

I couldn’t fathom that plant directors would just let artists wander around their factory floors. That could never happen in a socialist country – Bogdan Łopieński about the 1st Biennale of Spacial Forms in Elbląg in 1965