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33 2012

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February 2011: 12 2011

February 2011: 13 2011

March 2011: 14 2011; 15 2011

April 2011: 16 2011; 17 2011; 18 2011

May 2011: 19 2011

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June 2011: 21 2011; 22 2011

July 2011: 23 2011

August 2011: 24 2011

September 2011: 25 2011; 26 2011

September 2011: 27 2011

October 2011: 28 2011; 29 2011

November 2011: 30 2011; 31 2011

December 2011: 32 2011

January 2012: 33 2012

PHOTOGRAPHY, STILLS & GNASH:
The Good Bad Old Days

Chris Niedenthal

All right then, so what are the advantages of shooting on film?

Kozyra’s Got the Power

Karol Sienkiewicz

Casting, which occupies an entire story of the Zachęta, is most likely the artist’s final foray into making dreams come true in art, or at least the end of her attempted career as a more model woman, one that sings like a diva, wears makeup and high heels, and holds flowers just the right way

Piotr Uklański, Early Works

Agnieszka Le Nart

Uklański has allowed himself the rare luxury of not only having his childhood drawings published, but also analysed by a professional. And what is the verdict?

Designing Objects, Designing Cities

Klara Czerniewska

Two parallel design events, the 5th Łódź Design Festival and Warsaw Under Construction 3 complemented each other perfectly this year

Project Modernity

‘We want to be modern’ is a must. Consider queuing up and socialising, because everyone is going

WHO’S WHO AND WHY:
Nicolas Grosspierre

Agnieszka Le Nart

‘I like games, based on what one can see in my works, and that I invite the viewers to participate in.’

Shorthand

Nobel literature prize winning poet Szymborska died http://t.co/NKtV0GcC
Mapping Stereotypes: Europe according to the Poles http://t.co/VHNgw4NR via @alphadesigner
Wesołowski + Kaliski by FewQuietPeople via #soundcloud http://t.co/q7LY07Zc
Archives: NYC Street Pole from Biweekly#02 via #soundcloud http://t.co/ngxZzIiX
Tillmans in Zachęta until 31 Jan http://t.co/pUm65mbS
Nosferatu's performance with English subs in Teatr Narodowy tonight http://t.co/ugdQuVUP
while ACTA is being protested http://t.co/CmUDLQQs we should discuss culture's new circulation tonight at 18.00 in Zacheta Gallery in Warsaw
have you seen my brand new outfit?;) http://t.co/YSTmBA4t
Poland - that is to say nowhere http://t.co/80EzptcU
dodecaudion - at least watch! http://t.co/PttM3z15

Art is Useless

ADAM MAZUR TALKS TO WOLFGANG TILLMANS

I allow outside influences to reach me – Tillmans’ works are exhibited in Zachęta in Warsaw until the end of January

Popular
articles

1
Art is Useless
ADAM MAZUR TALKS TO WOLFGANG TILLMANS
2
The Final Showdown in Zachęta
Karol Sienkiewicz

1
Art is Useless
ADAM MAZUR TALKS TO WOLFGANG TILLMANS
2
The Final Showdown in Zachęta
Karol Sienkiewicz

1
Project Modernity
Lidia Pańków
2
WHO'S WHO AND WHY:
Karol Radziszewski
KRZYSZTOF ŻUREK
3
Kozyra’s Got the Power
Karol Sienkiewicz
4
The Simplest Hiding Place
Marta Lisok
5
The Art of Footnotes
Karol Sienkiewicz
6
PHOTOGRAPHY, STILLS & GNASH: Love at First Click
Chris Niedenthal
7
Ryfka Cometh and Ryfka Goeth Away
Karol Sienkiewicz
8
PHOTOGRAPHY, STILLS & GNASH:
The Power of Photography
Chris Niedenthal
9
Beyond Schengenia
GORAN INJAC talks to TANJA OSTOJIĆ

Art All Literature Film Theatre Music Art

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Archive

The Final Showdown in Zachęta

Karol Sienkiewicz

The exhibition revolves around a few unpleasant stories with art taking centre stage in all of them. Macuga mixed the documents from the Gallery’s archive with her own works and interventions

Photography Reclaimed

Iwona Kurz

The albums ‘Polesie’ and ‘Kronikarki’ are a successful attempt at reclaiming photography. Chomętowska and Chrząszczowa’s images make the past seem contemporary, or at least stripped of the nostalgic patina of age

WHO’S WHO AND WHY:
Nicolas Grosspierre

Agnieszka Le Nart

‘I like games, based on what one can see in my works, and that I invite the viewers to participate in.’

PHOTOGRAPHY, STILLS & GNASH:
Fraudulent Liaisons

Chris Niedenthal

The rules of our profession say that press photographs cannot be digitally manipulated in any way, other than what could have been achieved in a darkroom in the old days of analogue photography.

WHO’S WHO AND WHY:
Goshka Macuga

Agnieszka Le Nart

Goshka Macuga collects stories of censorship and revives an interest in the matter, leading the art world to question how much has changed in the past two decades

Designing Objects, Designing Cities

Klara Czerniewska

Two parallel design events, the 5th Łódź Design Festival and Warsaw Under Construction 3 complemented each other perfectly this year

A Lonesome Museum

Karol Sienkiewicz

On the 80th anniversary of its foundation, the Museum of Art in Łódź has decided to set aside historical reckoning and revisit its founding mothers and fathers, posing questions on our modern need for utopian ideas

WHO’S WHO AND WHY:
Paulina Ołowska

Agnieszka Le Nart

As a child of socialist Poland, she thrives on the nostalgia of alternative private realities under socialism. Her work has been said to combine a post-Warholian pop art with Warsaw Pact socialism

PHOTOGRAPHY, STILLS & GNASH:
Unidentified Family Photos

Chris Niedenthal

Very rarely, if ever, do we find any life-saving words on the back of a family photograph

CULTURE 2.0 – Level 2.0

John Biweekly

Accompanying to the Culture 2.0 Conference is the Enter Level 2.0 exhibition. What’s coming this year? There’s a selection for you

A Nature Lesson on Wspólna Street

Karol Sienkiewicz

The greatest attraction of Warsaw’s first Gallery Weekend was the opening of the Raster Gallery location, inaugurated with an exhibition by young Czech artist Eva Koťátková

WHO’S WHO AND WHY:
Honza Zamojski

Agnieszka Le Nart

I feel lucky that I have a ‘profession’, that I don't need to be an artist

A Shaman of His Neighbourhood Tribe

Karol Sienkiewicz

The art-book publishing house Phaidon recently devoted an entire title to Althamer, thus inducting him into the club of modern classics featured in the ‘Contemporary Artists’ series

PHOTOGRAPHY, STILLS & GNASH:
The Good Bad Old Days

Chris Niedenthal

All right then, so what are the advantages of shooting on film?

ROMAN OPAŁKA.
A Time of Life or Time of Painting?

Ludovico Pratesi

Reflections on the works of Roman Opałka (1931-2011). Conceptual artist in need to represent irreversible time