dwutygodnik - strona kultury

40 2012

Archive

May 2010

01 2010

02 2010

June 2010

03 2010

04 2010

July 2010

05 2010

July 2010

06 2010

August 2010

07 2010

November 2010

08 2010

09 2010

December 2010

10 2010

January 2011

11 2011

February 2011

12 2011

February 2011

13 2011

March 2011

14 2011

15 2011

April 2011

16 2011

17 2011

18 2011

May 2011

19 2011

May 2011

20 2011

June 2011

21 2011

22 2011

July 2011

23 2011

August 2011

24 2011

September 2011

25 2011

26 2011

September 2011

27 2011

October 2011

28 2011

29 2011

November 2011

30 2011

31 2011

December 2011

32 2011

January 2012

33 2012

March 2012

34 2012

May 2012

35 2012

June 2012

36 2012

July 2012

37 2012

August 2012

38 2012

September 2012

39 2012

November 2012

40 2012

Shorthand

1 / 1

Magik Drops Out of Sight

Piotr Czerkawski talks to Leszek Dawid

I was anxious to tell a story which could be followed by someone completely alien to that local context. We still have to see if I succeeded – says the director of ‘You Are God’

The Festival in Wrocław: Ends and Conclusions

Jakub Socha

Can you really summerise a festival consisting of over 400 films and plenty of accompanying events? It’s like the internet, everyone’s got their own

Gdynia Film Festival

Jakub Socha

Political correctness was in place this year. Polish filmmakers have obviously been reading the papers, paying particular attention to the national news sections

Dumała (excerpt)

PAWEŁ SITKIEWICZ TALKS TO PIOTR DUMAŁA

My former Polish teacher told me: ‘You write through film.’ And that’s the way it was then. Now I’m sure I don’t want to write through film. I’m running away from literariness

Culture in Action!

Max Cegielski

See the film reportage from 184 days of Cultural Programme of the Polish EU Presidency 2011

Polish Documentary Film Looking Up

Jo Harper

Tip of the iceberg of past, present and future of Polish documentary

Directing is a Job

JAKUB SOCHA TALKS TO ADRIAN PANEK

A director isn’t someone who just stands at the bridge and shouts out orders. A film is something that happens between people, something that’s alive. I really like that community

Freedom Fighters in the Ghetto

Joanna Ostrowska

Panek’s film is an excellent example of the shift in our understanding of historical films, once associated with ‘heavy’ period pieces

Big Top Cinema: The Two Riversides Festival of Art and Film

Jakub Socha

Movies often take second stage to meetings with the people behind the films. Audiences eagerly participate in the dialogue; there’s no ironic smirking

New Horizons. International Competition

Ludwika Mastalerz

The film I was rooting for the most was Daniel Cockburn’s ‘You Are Here’. This eclectic picture is an amusing crash-course in analytical philosophy

90s: Time of the Suckers

Bartosz Żurawiecki

The 90s were a decade of suckers. A time that was largely lost. Do I feel like going back in search of lost time? I don’t think so

Filmmaker and Archaeologist

PIOTR CZERKAWSKI talks to MACIEJ DRYGAS

Communist Poland’s Security Service analysed millions of our most intimate letters every year

In Defense of Mothers

Bartosz Żurawiecki

If films display a lenient and understanding attitude towards fathers, it is because the directors are usually men themselves

Marching Towards Independence.
The 4th Edition of the Off Camera Festival

Maciej Stasiowski

‘How can you describe working on a movie set, then?’ ‘A bordello would be a good analogy,’ Skolimowski answered, eliciting a big laugh from Mitchell

BEFORE THE EUROPEAN CULTURE CONGRESS:
Love Europe World of Zygmunt Bauman

John Biweekly

The film ‘Love Europe World of Zygmunt Bauman’ was released 12 May on DVD, coinciding with the publication of Zygmunt Bauman’s ‘Culture in a Liquid Modern World’