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34 2012

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January 2012: 33 2012

March 2012: 34 2012

The Fight Against Monuments

Joanna Wichowska

The Maria we see in the performance is therefore an obviously made-up character, or rather a series of characters: a sequence of sketches, none of which aspire to be the single, true image

Lupa Closely Examined

Beckett was a master of dialogue and it’s simply impossible to spoil this text. But what can be done with it? What could Krystian Lupa have done with it? Contrary to what it might seem, limitations can lead you to new territories

Greek Chorus Variations: Oratorium Dance Project

The production included over a hundred community participants, along with Chorea and the musicians of the Łódź Philharmonic Orchestra and Choir. Read excerpts from a rehearsal diary from the week before opening

The End of the Line

Paweł Soszyński

What Lupa staged in Wrocław was simply a bad play. ‘Waiting Room.0’ is an intentional formal and intellectual wasteland

You’re Welcome, Ms. Müller

Joanna Wichowska

In the theatrical adaptation of The King Bows and Kills, the authors have chosen the technique of the collage

But Why are They Indispensable?

In his latest premiere Jan Klata abandons all the strategies that secured him his current position in Polish theatre. Sadly, it seems there is little left once the flashy façade has been removed

Shorthand

PL/EN Urban Green http://t.co/FyBG2vh7
Jerzy Milian's Unreleased Tapes - Fundraising Campaign: http://t.co/9ZxiDcAn via @youtube
Piotr Czerski's manifesto #ACTA #freedom #Poland http://t.co/8V1UNdtm
National Museum in Warsaw - photos from before the reopening | Art | Biweekly http://t.co/AtCjvWRF
Photos from 7th Berlin Biennale http://t.co/VMbUkWrr
My new sounds: Michał Szymaniak - "Julia Superstar", biweekly.pl#34 http://t.co/zgaHluVr on #SoundCloud
dance. if you can http://t.co/Ve1sAVIu
fancy DRAWING some music?:) http://t.co/Ij20Dp6I
Culture in Action, or How Did We Spend Our Cultural Presidency 2011, see the video reportage http://t.co/5LnU7iVv
Dorota Masłowska about piles of books and the pornographically unproductive act of reading http://t.co/zxIUdk0p
If you want to play some foosball with Biweekly.pl join us in Warsaw @Chłodna25 on Saturday all day and into the night
digital national museum http://t.co/AghYSRfc
Hack4Europe maybe? http://t.co/7tnNmiZM
If you're NOT Polish, but you live in Poznań contact Malta festival http://t.co/JGY5r5SE
Wilhelm Sasnal, the filmmaker http://t.co/J0MPasTk
Łopieński's photos in Warsaw's Zachęta Gallery until 13 May http://t.co/UQuPOf6r
Biweekly#34 is now online, enjoy http://t.co/YSTmBA4t
check out Wyspa in Gdańsk http://t.co/q2doKkGf
A film about Tadeusz Rolke by Piotr Stasik coming soon to a theatre near you! http://t.co/xTT8QoMe
My Mortality Should Touch You - Wiedemann about Szymborska http://t.co/46rg0tRw

The Fight Against Monuments

Joanna Wichowska

The Maria we see in the performance is therefore an obviously made-up character, or rather a series of characters: a sequence of sketches, none of which aspire to be the single, true image

Popular
articles

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The Fight Against Monuments
Joanna Wichowska

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Greek Chorus Variations: Oratorium Dance Project
Dara Weinberg

1
Greek Chorus Variations: Oratorium Dance Project
Dara Weinberg
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Preaching from the Chorus
Dara Weinberg
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The End of the Line
Paweł Soszyński
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Polish Tanztheater?
Anna Królica
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If You Were to do The Card Index…
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But Why are They Indispensable?
Marta Bryś
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The White Mass
Piotr Gruszczyński
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The Fight Against Monuments
Joanna Wichowska

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The White Mass

Piotr Gruszczyński

Artur Żmijewski did something seemingly simple, something which should’ve been done a long time ago. He transplanted mass onto the theatre stage, directly, with no changes made

Greek Chorus Variations: Oratorium Dance Project

Dara Weinberg

The production included over a hundred community participants, along with Chorea and the musicians of the Łódź Philharmonic Orchestra and Choir. Read excerpts from a rehearsal diary from the week before opening

Preaching from the Chorus

Dara Weinberg

‘I want to create a new kind of chorus theatre,’ says Marta Górnicka. If ‘Tu mówi chór…’ was the birth of that new kind of theatre, then ‘Magnificat’ is its adolescent rebellion

But Why are They Indispensable?

Marta Bryś

In his latest premiere Jan Klata abandons all the strategies that secured him his current position in Polish theatre. Sadly, it seems there is little left once the flashy façade has been removed

Polish Tanztheater?

Anna Królica

It is an interesting coincidence that 1973 saw the creation of both Pina Bausch’s Tanztheater Wuppertal and the Polish Dance Theatre – Poznań Ballet

The End of the Line

Paweł Soszyński

What Lupa staged in Wrocław was simply a bad play. ‘Waiting Room.0’ is an intentional formal and intellectual wasteland

If You Were to do The Card Index…

Paweł Płoski

The National Audiovisual Institute released a new DVD publishing with The Card Index directed by Konrad Swinarski and The Card Index Scattered directed by Tadeusz Różewicz, author of both of these plays

Death in Wrocław

Paweł Soszyński

In her debiut film Małgorzata Dziewulska takes on a challenging task: revising Grotowski’s discourse via the main advocate of the discourse, Ludwik Flaszen

NOTES FROM UNDER THE TABLE:
Kraków-Berlin: an Intervention

James Hopkin

A collaboration between Kraków’s Stary Theatre and Berlin’s innovative Maxim Gorky Theatre, the inescapably passenger-interactive events have been written and devised to invoke and link the two cities and a few of the stations en route

MASŁOWSKA IN NYC:
Virgin Seduction

ALAN LOCKWOOD talks to PAUL BARGETTO

I feel there’s a straight line from Mrożek to Dorota. She’d probably kill me if she heard me say that. Or maybe she wouldn’t be offended. But I hear it

MASŁOWSKA IN NYC:
Masłowska is real

ALAN LOCKWOOD TALKS TO BENJAMIN PALOFF

She doesn’t really have recollections of communism. She actually makes things up, because people want a tale of woe. Then she reflects more seriously on how she does remember communism, which she says she remembers strictly as an aesthetic category

You’re Welcome, Ms. Müller

Joanna Wichowska

In the theatrical adaptation of The King Bows and Kills, the authors have chosen the technique of the collage

WHO'S WHO AND WHY:
Małgorzata Sikorska-Miszczuk

John Biweekly

In this section we introduce Polish artists, places, and new phenomena. We always ask the person or the place’s representative the following question: WHY ARE YOU HERE? How they interpret the question and answer it is completely up to them: Małgorzata Sikorska-Miszczuk

The Impossibility of the End

Ewelina Godlewska-Byliniak

Does the end mean a promise of fulfilment? Or is it just its illusion, a delusive prospect of understanding, in reality catching the subject in a trap of eternal expectation? In Krzysztof Warlikowski’s most recent show, these questions are combined with questions about guilt

Xenakis – the Punk

Agata Diduszko-Zyglewska

I didn’t really know Xenakis before, but it turned out that he touches the precise parts of my sensitivity that until recently were satisfied by other music, such as punk and avant-garde. His music comes from the same source as punk music, while being ahead of it, like every avant-garde