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November 2011: 30 2011; 31 2011

December 2011: 32 2011

January 2012: 33 2012

Sound Postcards

One of the reasons Pocztówki Dźwiękowe draws us towards them is because they are, as technological objects, even more quaint and outdated than records and CDs

The Civil Society, Innovation and Music

Richard Berkeley

What is needed is a National Performing Arts Educational Centre for Schools: an inspiring flag-ship example, an education power house for the whole country

Audible Taste of Synesthetic Composition

Monika Pasiecznik

Jagoda Szmytka employs a variety of media and material without discerning between sound and image, philosophical idea and touch

A Black Wall

So, an opera about Auschwitz. Let’s say that one more time, out loud. An opera. About Auschwitz. A mind-boggling thing. Something that could be situated halfway between impossibility and impropriety

WHO'S WHO AND WHY:
Raphael Rogiński

In this section we ask the person or the place’s representative the following question: WHY ARE YOU HERE? It’s completely up to them, how are they going to interpret the question and answer it

Lutosławski’s Vocal Works by BBC

There’s still a lot of value to be extracted from rediscovering Lutosławski’s scores

Shorthand

Nobel literature prize winning poet Szymborska died http://t.co/NKtV0GcC
Mapping Stereotypes: Europe according to the Poles http://t.co/VHNgw4NR via @alphadesigner
Wesołowski + Kaliski by FewQuietPeople via #soundcloud http://t.co/q7LY07Zc
Archives: NYC Street Pole from Biweekly#02 via #soundcloud http://t.co/ngxZzIiX
Tillmans in Zachęta until 31 Jan http://t.co/pUm65mbS
Nosferatu's performance with English subs in Teatr Narodowy tonight http://t.co/ugdQuVUP
while ACTA is being protested http://t.co/CmUDLQQs we should discuss culture's new circulation tonight at 18.00 in Zacheta Gallery in Warsaw
have you seen my brand new outfit?;) http://t.co/YSTmBA4t
Poland - that is to say nowhere http://t.co/80EzptcU
dodecaudion - at least watch! http://t.co/PttM3z15

WHO’S WHO AND WHY:
Ballady i Romanse

Agnieszka Le Nart

“Today sung poetry doesn’t have a very positive association. Perhaps that’s because it’s not the same kind of poetry that was once sung. We try to sift out the ceremonial character and pathos” — Basia Wrońska

Popular
articles

1
WHO'S WHO AND WHY:
Chłodna25
Agnieszka Le Nart
2
Big Inauguration
John Biweekly
3
WHO'S WHO AND WHY:
Macio Moretti
KRZYSZTOF ŻUREK
4
WHO’S WHO AND WHY:
Wojtek Mazolewski
Agnieszka Le Nart
5
Audible Taste of Synesthetic Composition
Monika Pasiecznik
6
Big Inauguration – Main Stage
John Biweekly
7
Homotonality
Adam Wiedemann
8
WHO'S WHO AND WHY:
Gaba Kulka
Agnieszka Le Nart
9
NOTES FROM UNDER THE TABLE:
A Long Time Ago in the Future: Björk’s Biophilia
James Hopkin

Music All Literature Film Theatre Music Art

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Archive

Sound Postcards

Mat Schulz

One of the reasons Pocztówki Dźwiękowe draws us towards them is because they are, as technological objects, even more quaint and outdated than records and CDs

International Henryk Wieniawski Violin Competition

John Biweekly

Listen to recordings from Stage 1 Auditions

WHO’S WHO AND WHY:
Honza Zamojski

Agnieszka Le Nart

I feel lucky that I have a ‘profession’, that I don't need to be an artist.

WHO'S WHO AND WHY:
Igor Pudło a.k.a Igor Boxx

Agnieszka Le Nart

Igor Boxx is performing works off of the Breaslau album at the European Culture Congress. The DJ series at the Festival Club – Four Domes Pavilion hosts Boxx on Friday, 9 September, 2011 at 22:30

BEFORE THE EUROPEAN CULTURE CONGRESS:
Penderecki in Liquid Modernity

Adam Suprynowicz

Concerts at ECC will feature three pieces composed in the early 1960s, when Penderecki’s name was synonymous with strong, avant-garde sonorism

Audible Taste of Synesthetic Composition

Monika Pasiecznik

Jagoda Szmytka employs a variety of media and material without discerning between sound and image, philosophical idea and touch

NOTES FROM UNDER THE TABLE:
A Long Time Ago in the Future: Björk’s Biophilia

James Hopkin

Can technology really take us closer to nature, and if so, how? Because during the performance, nothing took me closer to nature or to the cosmos than the human voice, whether Björk’s or those of the magnificent choir

WHO’S WHO AND WHY:
Wojtek Mazolewski

Agnieszka Le Nart

Music is the best way for me to make contact with the world. I strive to pursue ideals, but in life it often doesn’t work. In music it can work, this beautiful world of feelings and emotions transferred through pure energy. In this way I share the best with others. – Wojtek Mazolewski

The Civil Society, Innovation and Music

Richard Berkeley

What is needed is a National Performing Arts Educational Centre for Schools: an inspiring flag-ship example, an education power house for the whole country

Big Inauguration – Children’s Stage

John Biweekly

The Inauguration of Polish Presidency in the EU was an all‑day musical performance on 1 July, 2011. See the artists of the children’s stage

Big Inauguration – World Music Stage

John Biweekly

The Inauguration of Polish Presidency in the EU was an all‑day musical performance on 1 July, 2011. See the artists of the world music stage

Big Inauguration – Experimental Stage

John Biweekly

The Inauguration of Polish Presidency in the EU was an all‑day musical performance on 1 July, 2011. See the artists of the experimental stage

Tricky’s Concert Online at 1.00, 2 June!

John Biweekly

The evening on the main stage will end with a one-hour performance by British trip-hop legend Tricky

Premiere Performance of Symphony No 3 Online!

John Biweekly

A premiere performance of Symphony No 3 by Paweł Mykietyn, composed for the Inauguration of the Polish Presidency of the EU Council took place on 1 July in Warsaw Philharmonic at 20.00. It was broadcasted online on Biweekly.pl

Big Inauguration – Main Stage

John Biweekly

The Inauguration of Polish Presidency in the EU was an all‑day musical performance on 1 July, 2011. See the artists of the main stage