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Shorthand

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Penderecki & Greenwood
by Nonesuch Records

Tomasz Handzlik talks to Jonny Greenwood

Nonesuch Records releases an album of works by Krzysztof Penderecki and Jonny Greenwood, recorded in Alvernia Studios, on 13 March 2012

I’m not into Classification

MONIKA ROKICKA talks to CRAIG TABORN

‘Stańko has been spending a lot of time in New York. It’s something that he’s always wanted to do and he is interested in a lot of younger musicians in the New York scene,’ says pianist Craig Taborn, who recently performed alongside Stańko at the Jazz Autumn Festival in Bielsko Biała

The Turbulent Life
of Madame Curie

KLAUDIA BARANOWSKA talks to ELŻBIETA SIKORA and MAREK WEISS

‘I didn’t want Marie Curie to be that figure we all know from our school textbooks. I wanted to depict her as a real, live person and a woman at that.’ – composer Elżbieta Sikora and director Marek Weiss talk about ‘Madame Curie’

WHO’S WHO AND WHY:
Ballady i Romanse

Agnieszka Le Nart

‘Today sung poetry doesn’t have a very positive association. Perhaps that’s because it’s not the same kind of poetry that was once sung. We try to sift out the ceremonial character and pathos’ — Basia Wrońska

Sound Postcards

Mat Schulz

One of the reasons Pocztówki Dźwiękowe draws us towards them is because they are, as technological objects, even more quaint and outdated than records and CDs

International Henryk Wieniawski Violin Competition

John Biweekly

Listen to recordings from Stage 1 Auditions

Fighting the Violin

Jolanta Brózda-Wiśniewska talks to Maxim Vengerov

A competition is about establishing human contact. Otherwise it can become a very ugly event

WHO'S WHO AND WHY:
Igor Pudło a.k.a Igor Boxx

Agnieszka Le Nart

Igor Boxx is performing works off of the Breaslau album at the European Culture Congress. The DJ series at the Festival Club – Four Domes Pavilion hosts Boxx on Friday, 9 September, 2011 at 22:30

BEFORE THE EUROPEAN CULTURE CONGRESS: Penderecki in Liquid Modernity

Adam Suprynowicz

Concerts at ECC will feature three pieces composed in the early 1960s, when Penderecki’s name was synonymous with strong, avant-garde sonorism

One Must Discuss Tastes

JOANNA HALSZKA-SOKOŁOWSKA TALKS TO PAWEŁ DUNIN-WĄSOWICZ

People didn’t used to take themselves as seriously as they do now

BEFORE THE EUROPEAN CULTURE CONGRESS:
Listening is an Art

Michał Mendyk talks to Patryk Zakrocki

Have you ever tried closing your eyes during a screening just to check how much of the story you can glean from sound alone in a visual medium?

Audible Taste of Synesthetic Composition

Monika Pasiecznik

Jagoda Szmytka employs a variety of media and material without discerning between sound and image, philosophical idea and touch

NOTES FROM UNDER THE TABLE: A Long Time Ago in the Future: Björk’s Biophilia

James Hopkin

Can technology really take us closer to nature, and if so, how? Because during the performance, nothing took me closer to nature or to the cosmos than the human voice, whether Björk’s or those of the magnificent choir

WHO’S WHO AND WHY:
Wojtek Mazolewski

Agnieszka Le Nart

Music is the best way for me to make contact with the world. I strive to pursue ideals, but in life it often doesn’t work. In music it can work, this beautiful world of feelings and emotions transferred through pure energy. In this way I share the best with others. – Wojtek Mazolewski

The Civil Society, Innovation
and Music

Richard Berkeley

What is needed is a National Performing Arts Educational Centre for Schools