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40 2012

Szapocznikow in America

ALAN LOCKWOOD TALKS TO CORNELIA BUTLER

You don’t often find a body of work that’s twenty years long that can sustain the range of really sophisticated interpretation that was brought to bear on it – says MoMa curator Cornelia Butler of their Szapocznikow retrospective open till 28 January 2013

Caucasian Bazaar

IWO ZMYŚLONY talks to SLAVS and TATARS

Our work is transnational. We act like mediators or even post-national-mediators. We don’t belong to a single nation – we are intellectually and affectionately as Russian, as we are Polish, Iranian or American

Magik Drops Out of Sight

Piotr Czerkawski talks to Leszek Dawid

I was anxious to tell a story which could be followed by someone completely alien to that local context. We still have to see if I succeeded – says the director of ‘You Are God’

Ryszard Kapuściński. A Life

Victoria Brittain talks to Artur Domosławski

Biography of one of the most significant journalists of the twentieth century is now available in English. ‘Where does journalism end and literature begin?’ Artur Domosławski at the Frontline Club

Diary Revisited

Alan Lockwood talks to Allen J. Kuharski

Gombrowicz uses his own idiosyncratic terms like ‘maturity’, ‘immaturity’, ‘superiority’, ‘inferiority’, ‘form’. The index almost killed me. I would say it’s like annotating Nietzsche, with the level of it

I Don’t Do Street Art

Zofia Zalewska talks to Krystian Truth Czaplicki

The authorities decided that styrofoam beams can’t just lie there without anyone around because they constitute a threat to public security – stories of art in public space by Krystian Truth Czaplicki

CRAFTSMEN OF CULTURE:
No More Overproduction

Paulina Wrocławska talks to Jakub Antosz

I wasn’t really planning on getting involved with artists. I was a craftsman, but I felt like a partner in crime. – interview with a technical specialist

There is No Single Mainstream

Arek Gruszczyński talks to Wojtek Ziemilski

Look around – nowadays even ads for shoes are often bolder than the so-called alternative. The desire for something new and vivid is neither alternative, strange nor unattainable. – Wojtek Ziemilski talks about his Lisbon expierience, going back to Poland and phantom phone vibrations

Everything in Opera Leaves a Mark

TOMASZ CYZ TALKS TO KRZYSZTOF WARLIKOWSKI

Premiering a drama production leaves me wondering what it is that I want to talk about in my next piece. Unlike the opera, which opens up a world of opportunities

Culture Circulatory System

AGNIESZKA SŁODOWNIK TALKS TO MIREK FILICIAK AND ALEK TARKOWSKI

The greatest risk involved in the whole debate is absolute polarisation and utter simplification, while forgetting that freedom entails responsibility

The Reading Lab: Shorthand

One upon a time John Wray lead a Twitter workshop in Wrocław. It was a part of The Reading Lab at the European Culture Congress. See the video

Fewer Quickies

AGNIESZKA SOWIŃSKA TALKS TO ŁUKASZ ORBITOWSKI

Who says you can’t sit down on the couch, open up a bottle of wine and sip it along to some music while reading a book?

Dumała (excerpt)

PAWEŁ SITKIEWICZ TALKS TO PIOTR DUMAŁA

My former Polish teacher told me: ‘You write through film.’ And that’s the way it was then. Now I’m sure I don’t want to write through film. I’m running away from literariness

Classical, Almost Popular

PIOTR TKACZ TALKS TO ROBERT PIOTROWICZ

Designing sound in complex physical forms allows us to achieve sensuality, the end result of which is parasexual in nature, and I don’t mean the artist’s idiotic erotic posturing on stage

The Three Colors of Jazz

TOMASZ HANDZLIK TALKS TO PIOTR DAMASIEWICZ

Sculptors and painters could teach musicians silence, because today’s music is dominated by chaos, and the loudness or decibel level is only getting higher, sadly – Piotr Damasiewicz

books + consumerism = mésalliance

AGNIESZKA SOWIŃSKA TALKS TO DOROTA MASŁOWSKA

Dorota Masłowska about piles of books and the pornographically unproductive act of reading