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You don’t often find a body of work that’s twenty years long that can sustain the range of really sophisticated interpretation that was brought to bear on it – says MoMa curator Cornelia Butler of their Szapocznikow retrospective open till 28 January 2013
Our work is transnational. We act like mediators or even post-national-mediators. We don’t belong to a single nation – we are intellectually and affectionately as Russian, as we are Polish, Iranian or American
I was anxious to tell a story which could be followed by someone completely alien to that local context. We still have to see if I succeeded – says the director of ‘You Are God’
Biography of one of the most significant journalists of the twentieth century is now available in English. ‘Where does journalism end and literature begin?’ Artur Domosławski at the Frontline Club
Gombrowicz uses his own idiosyncratic terms like ‘maturity’, ‘immaturity’, ‘superiority’, ‘inferiority’, ‘form’. The index almost killed me. I would say it’s like annotating Nietzsche, with the level of it
The authorities decided that styrofoam beams can’t just lie there without anyone around because they constitute a threat to public security – stories of art in public space by Krystian Truth Czaplicki
I wasn’t really planning on getting involved with artists. I was a craftsman, but I felt like a partner in crime. – interview with a technical specialist
Look around – nowadays even ads for shoes are often bolder than the so-called alternative. The desire for something new and vivid is neither alternative, strange nor unattainable. – Wojtek Ziemilski talks about his Lisbon expierience, going back to Poland and phantom phone vibrations
Premiering a drama production leaves me wondering what it is that I want to talk about in my next piece. Unlike the opera, which opens up a world of opportunities
The greatest risk involved in the whole debate is absolute polarisation and utter simplification, while forgetting that freedom entails responsibility
One upon a time John Wray lead a Twitter workshop in Wrocław. It was a part of The Reading Lab at the European Culture Congress. See the video
Who says you can’t sit down on the couch, open up a bottle of wine and sip it along to some music while reading a book?
My former Polish teacher told me: ‘You write through film.’ And that’s the way it was then. Now I’m sure I don’t want to write through film. I’m running away from literariness
Designing sound in complex physical forms allows us to achieve sensuality, the end result of which is parasexual in nature, and I don’t mean the artist’s idiotic erotic posturing on stage
Sculptors and painters could teach musicians silence, because today’s music is dominated by chaos, and the loudness or decibel level is only getting higher, sadly – Piotr Damasiewicz
Dorota Masłowska about piles of books and the pornographically unproductive act of reading