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It’s All About the Congress

Intro BY John Biweekly

This week we are focused mainly on the European Culture Congress. Exceptional event, the climax of the Cultural National Programme of the Polish Presidency in the European Union Council

European Culture Congress is about to begin. The whole editorial staff of dwutygodnik.com | biweekly.pl is here in Wrocław to cover all the debates, exhibitions, concerts, and workshops. Our main focus point is the Reading Lab, a place devoted to reading, but not in the way you might expect.

EKK is ECC, European Culture Congress,
cover by Dominik Cymer
We want to take a look at literature and the written word in light of the changes brought about by the growth of new media. Updated publishing formats such as audiobooks and e-readers aren’t the only innovations: new, non-linear narrative structures have emerged, along with such fresh forms as digitisation and convergence, or the combination of text, sound, and video. The language of the written word is changing, along with the form in which it is published (blogs, social media, and online forums). Access to tools such as free software and hardware has made it possible to convey text in completely novel ways, stimulating the imaginations of technology users. On the other hand, the analogue world has been opening up to the concepts explored by digital innovations: the idea of interactivity applies to “unplugged” writing as well. Contemporary culture encourages us to cooperate. The role of the reader is becoming just as blurred as the authority of the author. Everyone is invited to write, to change language, and explore new forms of textual communication.

We will experiment and see what comes out of it. We hope you’ll experiment with us.

Biweekly#25. Editor: Agnieszka Słodownik. Cover by Dominik Cymer. Published 2 September, 2011 at 21:39.

If you wish to publish a part of an article from Biweekly.pl on your website or blog please e-mail us: feedback@biweekly.pl.

Literature

BEFORE THE EUROPEAN CULTURE CONGRESS:
Between Artists and Administrators

Zygmunt Bauman

Side effects

Europe in Decline

Andrzej Leder

Literature

BEFORE THE EUROPEAN CULTURE CONGRESS:
Culture in a Liquid Modern World

John Biweekly

Talks

BEFORE THE EUROPEAN CULTURE CONGRESS:
Literary Microblogging?

ADAM KRUK talks to MARCIN JAGODZIŃSKI

Music

WHO'S WHO AND WHY:
Igor Pudło a.k.a Igor Boxx

Agnieszka Le Nart

Side effects

EUROPEAN CULTURE CONGRESS Live

John Biweekly

Music

One Must Discuss Tastes

JOANNA HALSZKA-SOKOŁOWSKA TALKS TO PAWEŁ DUNIN-WĄSOWICZ

Intro

It’s All About the Congress

John Biweekly

Literature

Wisława Szymborska (1923-2012)

John Biweekly

Intro

What Next?

John Biweekly

Side effects

Sign the Petition!

John Biweekly

Intro

Go Ahead, Save it for Later

John Biweekly

Intro

Let’s Move it Around

John Biweekly

Art

CULTURE 2.0 – Level 2.0

John Biweekly

Side effects

CULTURE 2.0 – Media-Aware

John Biweekly

Intro

UNSOUND Sounds Good

John Biweekly

Music

International Henryk Wieniawski Violin Competition

John Biweekly

Intro

Short Stop in Lithuania

John Biweekly

Side effects

EUROPEAN CULTURE CONGRESS:
Alien Europe

John Biweekly

Side effects

EUROPEAN CULTURE CONGRESS:
Wikianarchy

John Biweekly

Intro

Exchange

John Biweekly

Side effects

EUROPEAN CULTURE CONGRESS Live

John Biweekly

Intro

Almost Gone

John Biweekly

Intro

Summer Break

John Biweekly

Music

Big Inauguration – Children’s Stage

John Biweekly

Music

Big Inauguration – World Music Stage

John Biweekly

Music

Big Inauguration – Experimental Stage

John Biweekly

Music

Premiere Performance of Symphony No 3 Online!

John Biweekly

Music

Big Inauguration – Main Stage

John Biweekly

Literature

Opening of the Czesław Miłosz International Dialogue Centre – Online Broadcast on 30 June

John Biweekly

Intro

And Then There Were None

John Biweekly

Intro

BEFORE THE EUROPEAN CULTURE CONGRESS: The Wall

John Biweekly

Intro

Big Inauguration

John Biweekly

Music

Big Inauguration

John Biweekly

Intro

New Tradition

John Biweekly

Film

BEFORE THE EUROPEAN CULTURE CONGRESS:
Love Europe World of Zygmunt Bauman

John Biweekly

Film

BEFORE THE EUROPEAN CULTURE CONGRESS:
Love Europe World of Zygmunt Bauman

John Biweekly

Literature

BEFORE THE EUROPEAN CULTURE CONGRESS:
Culture in a Liquid Modern World

John Biweekly

Intro

Nature!

John Biweekly

Intro

To All The Translators

John Biweekly

Intro

One Year Old

John Biweekly

Intro

Culture in the Oil World

John Biweekly

Intro

The Other Way Around

John Biweekly

Intro

13 Ready to Go

John Biweekly

Intro

Distant Close-up

John Biweekly

Intro

Culture Counts

John Biweekly

Theatre

WHO'S WHO AND WHY:
Małgorzata Sikorska-Miszczuk

John Biweekly

Intro

CULTURE 2. 0 – Culture Resources

John Biweekly

Side effects

Slam Sensing Nation Sensation

John Biweekly

Side effects

CULTURE 2.0 – Slam Sensing Nation Sensation

John Biweekly

Art

WHO'S WHO AND WHY:
Twożywo

John Biweekly

Intro

Access Denied

John Biweekly

Intro

Summer Agenda

John Biweekly

Music

WHO'S WHO AND WHY:
Raphael Rogiński

John Biweekly

Film

10. ERA NEW HORIZONS:
Wojciech Jerzy Has

John Biweekly

Intro

Money can't buy me love,
but love won't pay the bills,
or the other way around

John Biweekly

Art

WHO'S WHO AND WHY:
The Museum of Modern Art in Warsaw

John Biweekly

Intro

Recipients of Data

John Biweekly

Art

WHO'S WHO AND WHY:
Mikołaj Długosz

John Biweekly

Art

WHO'S WHO AND WHY:
Kobas Laksa

John Biweekly

Intro

It’s all so relative

John Biweekly

Film

WHO'S WHO AND WHY:
Bartek Kulas

John Biweekly

Intro

The Centre of The World

John Biweekly

Art

WHO'S WHO AND WHY:
Maurycy Gomulicki

John Biweekly

Intro

Biweekly.pl – link with culture

John Biweekly