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The Centre of The World

Intro BY John Biweekly

‘I think the world is the extent of what we know. People tend to think the world is the planet, but they're two different things.’

We’re based in Warsaw, Poland, yet this issue of Biweekly is put together from New York City – a testament to the beauty of the internet press. Manhattan pedestrians attached to their devices somehow manage to negotiate the streets with no damage to their bodies. Cup after cup of American coffee is refilled in restaurants, reminding me of the “I love you honey bunny” exchange in Pulp Fiction. Restaurants run by Italians to be exact. That’s why they are so American. MoMA offers head-spinning stimulants: Picasso, Kahlo, Cartier-Bresson. LCD Soundsystem playing four shows in a row. The list goes on and on.

While the Satisfaction: Consumption Art in Poland exhibition curated by Łukasz Ronduda from the Centre for Contemporary Art in Warsaw has come to an end, the NYC-artropolis offers another Polish-related event. The NineteenEightyFour exhibition opens May 26th at the Austrian Cultural Forum, where several artists including Nicolas Grospierre & Kobas Laksa, examine the evolution of imagery and language in what has been described as our panoptic era.

Meanwhile, Biweekly#2 is already wide open. We talked to Jan Klata and Werner Herzog. We judged Bogusław Schaeffer, Andrzej Wajda and Gerhard Gnauck. Agata Nowotny analyzed photographic series as a method of organizing the surrounding chaos. Speaking of series. In COCKTAIL ARTY, Paweł Soszyński describes the most interesting parties in the history of the art world. First to come is Pablo Picasso’s banquet for Douanier Rousseau. James Hopkin shares his thoughts on Dampfbad Europa in his column, NOTES FROM UNDER THE TABLE. Ola Bilińska interprets a playful poem by Maria Cyranowicz. The list goes on and on.

I myself explored the streets of New York to finally find out where the centre of the world is. Or have I not?

628

Biweekly#2. Editor: Agnieszka Słodownik. Cover by OJTAM OJTAM group. Issued 24 May 2010 at 1:59.

If you wish to publish a part of an article from Biweekly.pl on your website or blog please e-mail us: feedback@biweekly.pl.

  • Issue: 02
  • Date: 05/2010
  • Tags: NYC, city

Film

WHO'S WHO AND WHY:
Bartek Kulas

John Biweekly

Intro

The Centre of The World

John Biweekly

Fiction

auck-zuck

Maria Cyranowicz

Film

You Have to Be Ruthless

WERNER HERZOG TALKS TO MICHAŁ CHACIŃSKI

Side effects

NOTES FROM UNDER THE TABLE:
Dampfbad Europa

James Hopkin

Literature

Wisława Szymborska (1923-2012)

John Biweekly

Intro

What Next?

John Biweekly

Side effects

Sign the Petition!

John Biweekly

Intro

Go Ahead, Save it for Later

John Biweekly

Intro

Let’s Move it Around

John Biweekly

Art

CULTURE 2.0 – Level 2.0

John Biweekly

Side effects

CULTURE 2.0 – Media-Aware

John Biweekly

Intro

UNSOUND Sounds Good

John Biweekly

Music

International Henryk Wieniawski Violin Competition

John Biweekly

Intro

Short Stop in Lithuania

John Biweekly

Side effects

EUROPEAN CULTURE CONGRESS:
Alien Europe

John Biweekly

Side effects

EUROPEAN CULTURE CONGRESS:
Wikianarchy

John Biweekly

Intro

Exchange

John Biweekly

Intro

It’s All About the Congress

John Biweekly

Side effects

EUROPEAN CULTURE CONGRESS Live

John Biweekly

Intro

Almost Gone

John Biweekly

Intro

Summer Break

John Biweekly

Music

Big Inauguration – Children’s Stage

John Biweekly

Music

Big Inauguration – World Music Stage

John Biweekly

Music

Big Inauguration – Experimental Stage

John Biweekly

Music

Premiere Performance of Symphony No 3 Online!

John Biweekly

Music

Big Inauguration – Main Stage

John Biweekly

Literature

Opening of the Czesław Miłosz International Dialogue Centre – Online Broadcast on 30 June

John Biweekly

Intro

And Then There Were None

John Biweekly

Intro

BEFORE THE EUROPEAN CULTURE CONGRESS: The Wall

John Biweekly

Intro

Big Inauguration

John Biweekly

Music

Big Inauguration

John Biweekly

Intro

New Tradition

John Biweekly

Film

BEFORE THE EUROPEAN CULTURE CONGRESS:
Love Europe World of Zygmunt Bauman

John Biweekly

Film

BEFORE THE EUROPEAN CULTURE CONGRESS:
Love Europe World of Zygmunt Bauman

John Biweekly

Literature

BEFORE THE EUROPEAN CULTURE CONGRESS:
Culture in a Liquid Modern World

John Biweekly

Intro

Nature!

John Biweekly

Intro

To All The Translators

John Biweekly

Intro

One Year Old

John Biweekly

Intro

Culture in the Oil World

John Biweekly

Intro

The Other Way Around

John Biweekly

Intro

13 Ready to Go

John Biweekly

Intro

Distant Close-up

John Biweekly

Intro

Culture Counts

John Biweekly

Theatre

WHO'S WHO AND WHY:
Małgorzata Sikorska-Miszczuk

John Biweekly

Intro

CULTURE 2. 0 – Culture Resources

John Biweekly

Side effects

Slam Sensing Nation Sensation

John Biweekly

Side effects

CULTURE 2.0 – Slam Sensing Nation Sensation

John Biweekly

Art

WHO'S WHO AND WHY:
Twożywo

John Biweekly

Intro

Access Denied

John Biweekly

Intro

Summer Agenda

John Biweekly

Music

WHO'S WHO AND WHY:
Raphael Rogiński

John Biweekly

Film

10. ERA NEW HORIZONS:
Wojciech Jerzy Has

John Biweekly

Intro

Money can't buy me love,
but love won't pay the bills,
or the other way around

John Biweekly

Art

WHO'S WHO AND WHY:
The Museum of Modern Art in Warsaw

John Biweekly

Intro

Recipients of Data

John Biweekly

Art

WHO'S WHO AND WHY:
Mikołaj Długosz

John Biweekly

Art

WHO'S WHO AND WHY:
Kobas Laksa

John Biweekly

Intro

It’s all so relative

John Biweekly

Film

WHO'S WHO AND WHY:
Bartek Kulas

John Biweekly

Art

WHO'S WHO AND WHY:
Maurycy Gomulicki

John Biweekly

Intro

Biweekly.pl – link with culture

John Biweekly