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Shorthand

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Intro

INTRO:
The Centre of The World

John Biweekly

‘I think the world is the extent of what we know. People tend to think the world is the planet, but they're two different things.’

Film

An Atlas of Polish Cinema

Paulina Kwiatkowska

Andrzej Wajda does a great job controlling his fear of death – but a much poorer one controlling his fear of error

Theatre

Schaeffer (81)

Adam Wiedemann

I highly respect and admire Schaeffer's escalation of innovations but it creates the effect of “always something different, and thus always the same”

Art

Dancing Eyes, Unclear Pictures

Antoni Ziemba

Maria Poprzęcka's fascinating book tells the story of art and artists interested in the phenomenon of uncoordinated and misty seeing

Side effects

Organising Time, or What Can’t Be Seen in the Pictures

Agata Nowotny

Series organise life, helping to integrate quivering and fragmented moments into a single whole, with a beginning and an end, which, in times that Zygmunt Bauman calls ‘liquid’, is something of particularly great value

Theatre

All Kinds of Luxuries

Joanna Wichowska

‘Someone decided to combine the luxury of culture with the luxury of remorse and invited me to Düsseldorf to direct a Ravenhill text’ – Jan Klata talks about the experience of working in a German theatre

Literature

Unbearable Whispering

Joanna Tokarska-Bakir

Gerhard Gnauck’s book about the Polish years of the pope of German literary criticism Marcel Reich-Ranicki is, page after page, an embarrassment

Film

You Have to Be Ruthless

WERNER HERZOG TALKS TO MICHAŁ CHACIŃSKI

Great works aren’t a result of great tools but the fact that these tools are used by great artists

All All Literature Film Theatre Music Art

Briefly

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